The Lacey Township Power Plant Problem Essay Example | Topics and Well Written Essays - 500 words - 1

The Lacey Township Power Plant Problem - Essay Example As the paper discusses the Radiation and Public Health Project highlighted this in 2001 when it found substantial increases in radioactive contamination of the local area. Further study indicated a marked increase in a wide variety of cancers especially in children and elderly people. This compares to a decrease in like cancers in the vicinity of eight similar reactors which have been closed since 1987. This essay declares that along with an immediate threat to public health are the problems associated with the disposal of the spent nuclear material. Currently the four nuclear power sites in New Jersey are storing over 1600 tons of radioactive waste. With aging facilities, dwindling financial resources, and diverted political priorities there is no clear plan that the public will be adequately safeguarded from future disaster. This material is a constant threat to the area from accidental leakage, mismanagement, or even a terrorist act. The jeopardy that the reactor poses is not just limited to the local area. Neighboring residents are also at risk. The mayor of Brick Township, New Jersey, has filed a petition with the Nuclear Regulatory Commission requesting the Oyster Creek site be allowed to remain open only if it met the current standards of a new reactor. The mayor's concerns are brought about by the dramatic increase in population since the reactor's inception. Evacuation plan s with the existing infrastructure would be unrealistic and would likely create mass chaos.

In time of war, actions not morally acceptable become acceptable Essay Example for Free

In time of war, actions not morally acceptable become acceptable Essay We live in an imperfect world where human interactions breeds frictions occasioned by participation of different individuals in matters of society, economics and even religious inclinations of the different masses. Human beings have voluntarily or involuntarily found themselves in different areas of life due to their races or ideologies and consequently have had to act in line with a certain set of belief. Therefore this has bred differences in how a different society approaches issues relating to both governance and interaction and lack of consensus among individuals and sometimes groups within and without have led to violence. This violence is sometimes political and involves a set of organized military groups fighting for a certain goal that is usually political in nature. War is rough on the participants and mostly on innocent civilians caught in the middle of the chaos. The questions that strongly begs a just answer is â€Å"can there be a just war. † Hedge (2002) claims that in essence there is not much difference between the U S government and Alqueda arguing that despite what motives drives them to violence both the outcome is death of innocent civilians. However there are those who feel that to agree with Hedge would be to deny that there cannot be moral reasons to go to war and that the presuppositions behind the just war theory are fallacious and misguiding. In this regard it would be equal to agreeing that no reason should drive a country to wage war on another or even that terror groups must be allowed to exploit the weakness of less able nations in order to bring terror to perceived enemies. In my opinion such a stand is untenable and unrealistic and a way to avoid taking responsibility in accordance to the natural laws of justice that guarantees freedom and rights of individuals (Zupan, 2004). It is therefore important to highlight that it is hypocritical to deny that a party might be justified to wage war to counter similar aggressiveness or as way of stopping gross violations against fellow human beings. All human beings have a right to life is a clearly accepted fact and anything that contravenes such a fact would ordinarily be considered immoral and against fundamental pillars of justice, rights and freedoms. However whereby a war has been taken as to being justified then a waiver is taken in order to grant the involved parties the right to take away the lives of those perceived to be the enemies. In addition the loss of civilian life in the course of such a war is simply taken to be the costs of bringing such changes as necessitate that war. Hedge actually accuses Washington of stooping so low as to use death as a means of expressing its dissatisfaction with certain issues (Hedge, 2002). In other wars certain groups of people who previously viewed as morally incorrect might receive a change of perceptions simply because they direct their atrocities to the perceived enemy. In this regard the common phrase that an enemy of my enemy is my enemy becomes true. There are those who would argue for the sovereignty of nations and that a state has a right from external interference. In ordinary times such a status applies and there are clear efforts to observe and even promote the status quo. However in times of war sovereign borders are breached and this usually leads to the removal of leadership or occupation of such state. Hedge (2002) however seeks to point out that while he is not a war supporter, that it is sometimes important to use force to counter a force that is much immoral as compared to the countering force. It is therefore important then that we must understand that we have a moral responsibility to take care not to ignore or indeed breach the fundamental rights of citizens as we engage in war. Hedges, C. (2002). War Is a Force That Gives Us Meaning. New York: Anchor books. Zupan, D. (2004). War, Morality and Autonomy. London: Ashgate publishings.

Ecstasy Abuse Essay -- essays research papers

Article 1 C) Source of Article: Bureau of Medicine and Surgery Title of Article: Navy Medicine Steps Up to Help Prevent Ecstasy Abuse A)  Ã‚  Ã‚  Ã‚  Ã‚  Talks about how the military is not protected by ecstasy abuse. They may have a zero tolerance mentality about it but that still does not stop people from accessing it. The Navy found a medicine that makes hiding of having the trace of ecstasy on a person harder to hide. They found a better way to detect ecstasy with a certain drug exam that is ahead of technology. Instead if a normal test for amphetamines they found a new agent that can even trace the smallest amount of ecstasy on a person system. This medicine has been tested for the past two years and was tested again before they sent out the troops to go to Afghanistan. Ecstasy symptoms can be decreased facility to regulate sleep and emotions, as well as increase changes in hear attack, stroke and possibility of death. Hopefully this will shorten the amount of people using drugs like ecstasy in any military branch while on task. B)  Ã‚  Ã‚  Ã‚  Ã‚  The authors idea with writing this article is that ecstasy abuse will be eliminated from all military branches. This idea is backed up with what he said about the testing results, â€Å"Navy Medicine also tested the product at the Navy Drug Screening Lab in Jacksonville, Fla., before rolling it out to the troops†. This comment by the author can be interpreted as successful results. Another of the author’s ideas or comments is that he claims to say that ecstasy abuse is rising in all over the country, and that the military should get more involved to stop it. The military is improving ecstasy testing on humans. â€Å"Although the Navy maintains a zero-tolerance position on drug abuse†, this means they are doing their best to stop drug abuse, and they are improving testing methods. Article 2 C) Source of Article: Naval Media Center and Bureau of Naval Personnel Title of Article: From Ecstasy to Agony Author: Capt. John Jemionek and Jo1 Joseph Date: Unknown A)  Ã‚  Ã‚  Ã‚  Ã‚  He gives some of the street names for ecstasy and he calls it the club drug mostly because it is used at raves and such parties. Also goes on to call it the â€Å"safe drug†. Then even more he gets an in depth look of how the drugs looks and that it comes in a capsule about the size of an aspirin in po... ...zing on increased demand for the drug in the United States. Authorities are especially concerned about the role of organized crime in Ecstasy trafficking. Russian mafias have recently forged relationships with European traffickers and begun to dominate the global Ecstasy trade. The profit potential of Ecstasy is huge for such traffickers. Ecstasy tablets can be bought in Amsterdam for as little as 50 cents to $2 each. B)  Ã‚  Ã‚  Ã‚  Ã‚  In this article the writer talks about the urgency that our grate nation has over this simple deadly looking pill. He gives explicit detail in his believed and has insight information about the drug trafficking ways. By some sort f thought the writer believes that the drugs are sponsoring terrorism and that people in the Middle East and Russia use this money to buy weapons. He also talks about the Columbians trafficking ecstasy to the United States. Says that our nation is in great fear of this drug and what it can cause to our society. The writer believes that these drugs are going destroy America little by little by destroying the youth of America. Then with this they can invade the nation and destroy everything that we have built.

Essay --

Jeremy Burrafato 12-11-13 ENG 4800-01 Final Essay Psychoanalytical Criticism on Stories of Madmen The descent into madness has been a facet of many stories throughout human history. Voices in one’s head, delusions, as well as dreams and nightmares, are common in these types of stories. In Edgar Allen Poe’s The Tell-Tale Heart, and Charles Dickens A Christmas Carol, the characters within the stories face these sorts of problems. In The Tell-Tale Heart, the narrator/protagonist experiences an obsession with a physical trait of an elderly man, in which he associates with evil. This evil eye and the obsession in which the narrator holds for it eventually cause the narrator to do the unthinkable. Kill the old man. A Christmas Carol tells the tale of an older gentleman who experiences a series of encounters with ghosts who show him the error of his ways. These dream like scenarios in which he encounters these spirits are none other than actual dreams and wish-fulfillment based on his fears and guilt. Both of these classic tales weave notions of psychological intricacies within their pages. The Tell-Tale Heart details the descent into madness of a man who is suffering from some form of paranoid schizophrenia; while A Christmas Carol reveals that its main character while not having a traumatic form of mental illness like that of Poe’s story, does share many anxieties and delusions based on guilt and obsession much like the narrator in The Tell-Tale Heart. Both characters have and cope with varying degrees of mental illness, or at least symptoms of such illnesses in some form or another. For the purpose of this essay, the version of the story that will be referenced is the one handed out to us in our class, thus any references to the st... ...in the forms of countless movies, including the likes of Disney, as well as being a record breaking theatrical play. Charles Dickens work has been a staple of writing for years, and this piece is no exception. The story of A Christmas Carol begins with a misery old man named Scrooge working in his counting house on Christmas Eve, his clerk sitting in the front working as well. Various people come inside to greet him including his nephew whom he basically tells to leave after being invited to a Christmas party. He is then visited by people who are looking for donations for the poor. This sets up Scrooges hate for the holiday as well as his greed. His greed is the primary basis for his loneliness and anger, which is amplified during the holiday season. To understand Scrooges hate for the holiday season, one could look back to a time when he would have enjoyed it.

Teaching English

Teaching Readers of English â€Å"A book of this kind is long overdue. . . . It is a giant contribution to the ? eld. With its emphasis on a socioliterate approach to reading and literacy, it nicely captures the prevailing view of academic literacy instruction. Its extremely skillful and well-developed balancing act between theory and practice allows it to appeal to a wide variety of readers. Pre- and in-service teachers, in particular, will bene? t immensely. † Alan Hirvela, The Ohio State University â€Å"A compendium like this that addresses reading issues at a variety of levels and in a variety of ways is most welcome. . . Congratulations on excellent work, a fabulous partnership, and on moving us all forward in our thinking about reading issues! † Vaidehi Ramanathan, University of California, Davis A comprehensive manual for pre- and in-service ESL and EFL educators, this frontline text balances insights from current reading theory and research with highly practica l, ? eld-tested strategies for teaching and assessing L2 reading in secondary and post-secondary contexts. John S. Hedgcock is Professor of Applied Linguistics at the Monterey Institute of International Studies. Dana R.Ferris is Associate Professor in the University Writing Program at the University of California, Davis. Teaching Readers of English Students, Texts, and Contexts John S. Hedgcock Monterey Institute of International Studies Dana R. Ferris University of California, Davis First published 2009 by Routledge 270 Madison Ave, New York, NY 10016 Simultaneously published in the UK by Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN Routledge is an imprint of the Taylor & Francis Group, an informa business This edition published in the Taylor & Francis e-Library, 2009.To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to www. eBookstore. tandf. co. uk.  © 2009 Routledge, Taylor and Franci s All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. Trademark Notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identi? ation and explanation without intent to infringe. Library of Congress Cataloging in Publication Data A catalog record has been requested for this book British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library ISBN 0-203-88026-9 Master e-book ISBN ISBN 10: 0–415–99964–2 (hbk) ISBN 10: 0–8058–6347–8 (pbk) ISBN 10: 0–203–88026–9 (ebk) ISBN 13: 978–0–415–99964–9 (hbk) ISBN 13: 978–0–8058â₠¬â€œ6347–5 (pbk) ISBN 13: 978–0–203–88026–5 (ebk) Brief Contents Preface . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . xiv Credits . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . xix 1 Fundamentals of L1 and L2 Literacy: Reading and Learning to Read . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 2 L2 Reading: Focus on the Reader . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49 3 L2 Reading: Focus on the Text . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .78 4 Syllabus Design and Instructional Planning for the L2 Reading Course . . . .115 5 Designing an Intensive Reading Lesson . . . . . . . . . . . . . . . . . . . . . . . . . . . . 160 6 Reading for Quantity: The Benefits and Challenges of Extensive Reading . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 205 7 Using Literary Texts in L2 Reading Instruction . . . . . . . . . . . . . . . . . . . . . . . .242 8 Vocabulary Learning and Teaching in L2 Reading Instruction . . . . . . . . . . . .283 9 Classroom L2 Reading Assessment . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 323 References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 375 Notes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .417 Author Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .423 Subject Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 427 Contents Preface . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . xiv Credits . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . xix 1 Fundamentals of L1 and L2 Literacy: Reading and Learning to Read . . . . . . . .1 The Nature of Literacy and Literacies. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3 Working with Writing Systems . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8 Reading Processes: Fundamentals. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .13 Describing and De? ning Reading Processes . . . . . . . . . . . . . . . . . . . . . 15 Bottom-Up Views of Reading and Reading Development . . . . . . . . . .17 Top-Down Views of Reading and Reading Development . . . . . . . . . . . 3 Interactive and Integrated Views of Reading and Reading Development . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .27 Understanding L2 Reading Processes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32 The Linguistic Threshold Hypothesis . . . . . . . . . . . . . . . . . . . . . . . . . .33 Components of L2 Reading: Skills and Subskills . . . . . . . . . . . . . . . . . .35 L2 Reading Strategies . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38 Chapter Summary . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42 Further Reading and Resources . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43 Re? ection and Review . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44 Application Activities . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45 2 L2 Reading: Focus on the Reader . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49 Who Are L2 Readers? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .50 International (Visa) Students . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 EFL Students . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .52 Immigrant Students . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .52 Generation 1. 5 Students . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53 viii Contents Implications of Multiple Student Audiences for Reading Instruction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .55 L2 Reading in Non-academic Settings . . . . . . . . . . . . . . . . . . . . . . . . . .56 What a Reader Knows . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57 In? uences of Family and Society . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .57 School In? uences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .58 Types of Reader Schemata . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 59 What the L2 Reader Knows: Final Thoughts . . . . . . . . . . . . . . . . . . . . . 61 Individual Differences among L2 Readers . . . . . . . . . . . . . . . . . . . . . . . . . . . 62 Motivation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .62 Learning Styles . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .64 Learner Strategies . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .69 Focus on the Reader: Implications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71 Needs Assessment and Course Goals . . . . . . . . . . . . . . . . . . . . . . . . . . . 71 Text Selection . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72 Classroom Instruction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .72 Chapter Summary . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .73 Further Reading and Resources . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74 Re? ection and Review . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75 Application Activities . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75 3 L2 Reading: Focus on the Text . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .78 What Is a Text? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79 Orthography . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80 Words. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .81 Morphosyntactic Information . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .84 Text Cohesion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89 Typography . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89 Text Structure . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90 Text Information: Summary . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .91 Focus on the Text: Implications for Text Selection . . . . . . . . . . . . . . . . . . . .92 Selecting and Analyzing Texts for Intensive Reading Instruction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .92 Text Selection Issues: Summary . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97 Focus on the Text: Building Bottom-Up Skills and Strategies . . . . . . . . . . . .98 Bottom-Up Skills: Approaches and Activities . . . . . . . . . . . . . . . . . . . .98 Summary: Textual Elements and Bottom-Up Instruction. . . . . . . . . .103 Chapter Summary . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106 Further Reading and Resources . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .107 Re? ection and Review . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .107 Application Activities . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .108 Appendix 3. 1: Second Chances—If Only We Could Start Again . . . . . . . .112 Appendix 3. 2: Sample Mini-lesson on Morphology . . . . . . . . . . . . . . . . . .113 Contents 4 ix Syllabus Design and Instructional Planning for the L2 Reading Course . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 115 Needs Assessment: Understanding Learner Needs and Institutional Expectations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 117 Demographic Pro? le . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119 L2 Pro? ciency and Literate Background . . . . . . . . . . . . . . . . . . . . . . . 122 Student Interests . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .122 Student Preferences, Strategies, and Styles . . . . . . . . . . . . . . . . . . . . .123 Designing and Administering NA Instruments . . . . . . . . . . . . . . . . . . . . . .124 Establishing Goals and Objectives for Teaching and Learning . . . . . . . . . .125 Developing an L2 Literacy Syllabus: Design Principles . . . . . . . . . . . . . . . .130 Crafting the Course Description . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131 Constructing the Course Outline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133 Selecting and Working with Textbooks . . . . . . . . . . . . . . . . . . . . . . . . . . . .135 Planning L2 Literacy Lessons: Principles and Precepts . . . . . . . . . . . . . . .139 Specifying Lesson Objectives . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .139 Organizing a Daily Less on Plan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .140 Lesson Planning Mechanics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 141 Chapter Summary . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 146 Further Reading and Resources . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .147 Re? ection and Review . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .148 Application Activities . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .149 Appendix 4. 1: Sample Needs Assessment Questionnaire for a Reading Course . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 151 Appendix 4. 2: Sample EAP Reading Course Syllabus . . . . . . . . . . . . . . . . . 155 Appendix 4. 3: Textbook Evaluation Checklist . . . . . . . . . . . . . . . . . . . . . . . 158 5 Designing an Intensive Reading Lesson . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 160 Background: Intensive Reading . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 160 Stages of Intensive Reading . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .162 Before Reading . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 163 During Reading . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 171 After Reading. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 184 Putting It All Together: Designing an Intensive Reading Lesson . . . . . . . . . 190 Suggestions for Intensive Reading Lessons . . . . . . . . . . . . . . . . . . . . . .190 Chapter Summary . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 191 Further Reading and Resources . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .192 Re? ection and Review . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .193 Application Activities . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .194 Appendix 5. 1: The Rewards of Living a Solitary Life . . . . . . . . . . . . . . . . . .196 Appendix 5. 2: Sample Text-Surveying Activities . . . . . . . . . . . . . . . . . . . . . 201 x 6 Contents Reading for Quantity: The Benefits and Challenges ofExtensive Reading . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .205 Extensive Reading: De? nitions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 206 Perspectives on Extensive Reading . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .208 Bene? ts of Extensive Reading . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .210 Extensive Reading Improves Comprehension Skills . . . . . . . . . . . . . .210 Extensive Reading Develops Automaticity . . . . . . . . . . . . . . . . . . . . . .211 Extensive Reading Builds Background Knowledge . . . . . . . . . . . . . . 212 Extensive Reading Builds Vocabulary and Grammar Knowledge . . . .213 Extensive Reading Improves Production Skills (Speaking and Especially Writing) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .215 Extensive Reading Promotes Student Con? dence and Motivation . . . 216 Summary: The Case for Extensive Reading . . . . . . . . . . . . . . . . . . . . . 217 (Perceived) Problems and Challenges with Extensive Reading . . . . . . . . . .217 Time and Pre-Existing Curricular Requirements . . . . . . . . . . . . . . . .218 Resources . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .218 Student Resistance. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 219 Curricular Models for Extensive Reading in L2 Settings . . . . . . . . . . . . . . . 220 Overall Objective . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .220 Extensive Reading in a Language Program . . . . . . . . . . . . . . . . . . . . . 220 Extensive Reading in a Foreign-Language Context . . . . . . . . . . . . . . . 221 Extensive Reading in Non-Academic Class Settings . . . . . . . . . . . . . .222 Extensive Reading in Academic Settings . . . . . . . . . . . . . . . . . . . . . . 222 Practical Matters: Implementation of Extensive Reading . . . . . . . . . . . . . .225 Getting Students on Board . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .226 Providing Access to Reading Materials . . . . . . . . . . . . . . . . . . . . . . . . . 227 Helping Students Find and Select Appropriate Materials . . . . . . . . . .230 Designing Classroom Activities . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .232 Developing Accountability and Evaluation Mechanisms . . . . . . . . . .234 Chapter Summary . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 235 Further Reading and Resources . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .236 Re? ection and Review . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .237 Application Activities . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 237 7 Using Literary Texts in L2 Reading Instruction . . . . . . . . . . . . . . . . . . . . . . . .242 Contexts for L2 Literature Teaching . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 243 Bene? ts of Literature for L2 Readers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 245 Cultural Knowledge . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 247 Rich Language Exposure . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .249 Input for Language Acquisition . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .250 Enjoyable and Motivating Material . . . . . . . . . . . . . . . . . . . . . . . . . . . 251 Improved Student Con? dence in L2 Reading . . . . . . . . . . . . . . . . . . . 251 Personal Growth . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .252 Contents xi Stimulating Writing Topics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .252 Critical Thinking Skills . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 253 Bene? ts: Summary . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .254 Using Literature with L2 Readers: Challenges . . . . . . . . . . . . . . . . . . . . . . . 254 Teacher Discomfort . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .255 Student Resistance. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 256 Time Constraints. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .257 Text Dif? culty . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .258 Possible Drawbacks: Summary . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 259 Teaching Literature in the L2 Reading Course . . . . . . . . . . . . . . . . . . . . . . . 259 How Much Literature? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 259 What Kinds of Texts?. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 260 Where Do Literary Texts Fit in Intensive and Extensive Reading Approaches? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 261 Literature in an Extensive Reading Approach . . . . . . . . . . . . . . . . . . . 264 Speci? c Considerations for Teaching Literature . . . . . . . . . . . . . . . . . . . . . 264 Literary Metalanguage: To Teach or Not to Teach? . . . . . . . . . . . . . . .265 Teaching Fiction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .265 Teaching Poetry . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 268 Teaching Drama . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .270 Chapter Summary . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 272 Further Reading and Resources . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .274 Re? ection and Review . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .274 Application Activities . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .275 Appendix 7. 1: The Story of An Hour (Kate Chopin [1894]) . . . . . . . . . . . .280 Appendix 7. 2: The Road Not Taken (Robert Frost [1916]) . . . . . . . . . . . . . 282 8 Vocabulary Learning and Teaching in L2 Reading Instruction . . . . . . . . . . . .283Components of Word Knowledge . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .284 The Role of Lexical Knowledge in Developing L2 Readin g Skills and Strategies . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .291 Interactions between Vocabulary Knowledge and Reading . . . . . . . . . 291 Incidental Vocabulary Learning . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .292 Direct Vocabulary Instruction: Explicit Interventions in Teaching Reading . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 295 Lexical Enhancement and L2 Reading: Challenges andTools . . . . . . . . . . . 296 Vocabulary Size and Reading Development . . . . . . . . . . . . . . . . . . . . . 297 Word Frequency Lists . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .300 Direct Vocabulary Teaching and L2 Reading Instruction: Practices and Strategies . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 302 Spend Time on Words . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 304 Teach Effective Inferenc ing Strategies . . . . . . . . . . . . . . . . . . . . . . . . . 306 Teach Effective Dictionary Strategies . . . . . . . . . . . . . . . . . . . . . . . . .306 Consider Working with Graded Readers . . . . . . . . . . . . . . . . . . . . . . . 308 xii Contents Ask Questions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .309 Match De? nitions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 310 Practice Semantic Mapping . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 310 Encourage Use of Word Cards . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 311 Assign Vocabulary Notebooks or Logs . . . . . . . . . . . . . . . . . . . . . . . . . 313 Chapter Summary . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 313 Further Reading and Resources . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .314 Re? ection and Review . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .315 Application Activities . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .316 9 Classroom L2 Reading Assessment . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 323 The Purposes of L2 Reading Assessment . . . . . . . . . . . . . . . . . . . . . . . . . . . 326 Principles and Concepts of L2 Reading Assessment . . . . . . . . . . . . . . . . .329 Reliability . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .329 Validity. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .330 Authenticity . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .331 Washback . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .333 Product and Process . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 334 A Framework for Designing Classroom L2 Reading Assessments. . . . . . .335 Reading Assessment Variables: Standards, Readers, and Texts . . . . . . . . . .337 Standards . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .337 Reader Variables . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .338 Text Variables . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .339 Task and Item Development in L2 Reading Assessment: Principles and Procedures . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 340 Controlled Response . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 341 Constructed Response. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .353 Maximizing Controlled and Constructed Response Approaches in L2 Reading Assessment . . . . . . . . . . . . . . . . . . . . . .360 Alternative L2 Literacy As sessment Options . . . . . . . . . . . . . . . . . . . . . . . .362 Reading Journals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .363 Literacy Portfolios . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 364 Self-Assessment . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 367 Summary: Toward a Coherent Literacy Assessment Plan . . . . . . . . . . . . . .369 Further Reading and Resources . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .370 Re? ection and Review . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .371 Application Activities . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .372 References . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .375 Notes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .417 Author Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .423 Subject Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 427 Preface This book presents approaches to the teaching of second language (L2) readers in the context of current theoretical perspectives on L2 literacy processes, practices, and readers. Teaching Readers of English is designed as a comprehensive teacherpreparation book, as well as a resource for in-service teachers and L2 literacy researchers.The volume focuses on preparing instructors who work with L2 and multilingual readers at the secondary, post-secondary, and adult levels. Teaching Readers of English likewise examines vocabulary development, both as a tool for facilitating effective reading and as a language-learning goal in itself. We have attempted to craft the book to appeal to several distinct audiences: Tea cher educators and graduate students in TESOL preparation programs; In-service ESL and EFL instructors currently engaged in teaching reading and related literacy skills;Pre-service teachers of secondary English and their instructors; In-service teachers of secondary English; Researchers involved in describing L2 literacy and investigating L2 reading pedagogy. Teaching Readers of English addresses the needs of the ? rst four groups by providing overviews of research related to L2 reading, as well as numerous opportunities to re? ect on, develop, and practice the teaching skills needed for effective ESL and EFL literacy instruction. We hope that researchers in the ? eld will also bene? t from our syntheses and analyses of the literature on various topics in L2 literacy education.Preview and post-reading review questions in Preface xv each chapter are designed to stimulate readers’ thinking about the material presented. Application Activities at the end of each chapter provide h ands–on practice for pre- and in-service teachers, as well as resources for teacher educators. Because of this book’s dual emphasis on theory and practice in L2 literacy instruction, it would serve as an appropriate primary or supplementary text in courses focusing on L2 reading theory, as well as practical courses that address literacy instruction. As a discipline, L2 reading is still viewed by some as an emergent ? eld.Consequently, few resources have been produced to help pre- and in-service L2 educators to become experts in a discipline that is becoming recognized as a profession in its own right. Therefore, one of our primary goals in Teaching Readers of English is to furnish readers with a synthesis of theory and practice in a rapidly evolving community of scholars and professionals. We have consistently and intentionally focused on providing apprentice teachers with practice activities, such as reader background surveys, text analyses, and instructional planning tasks that can be used to develop the complex skills entailed in teaching L2 reading.Although all topics of discussion are ? rmly grounded in reviews of relevant research, a feature that we feel distinguishes this volume from others is its array of hands-on, practical examples, materials, and tasks. By synthesizing theory and research in accessible terms, we have endeavored to craft chapter content and exercises in ways that enable readers to appreciate the relevance of the ? eld’s knowledge base to their current and future classroom settings and student readers. Overview of the Book We have sequenced the book’s chapters to move from general themes to speci? c pedagogical concerns.Situated in a broad literacy framework, Chapter 1 presents an overview of reading theory and pedagogical models that have in? uenced and shaped approaches to L2 literacy instruction. It also presents a comparative discussion of writing systems, culminating with a discussion of the dynamic in teractions of skills and strategies that comprise L2 reading. Most importantly, Chapter 1 introduces an argument that we pursue throughout the volume; that is, whereas certain literacy processes transcend linguistic and cultural boundaries, unique characteristics and challenges set L2 reading apart from L1 reading.We embrace the view that teaching learners to read successfully in an L2 such as English requires thought, analysis, and attention. Chapters 2 and 3 focus respectively on the two most important elements of the interactive process known as reading: readers and texts. In Chapter 2, we discuss and de? ne more precisely what characterizes an L2 reader, acknowledging the growing complexity of the term and the diversity of the student audience. Chapter 2 examines numerous background variables that in? uence literacy development, including the unique characteristics of individual readers.Chapter 3 provides a de? nition and in-depth analysis of the structural properties of text, x vi Preface with a speci? c focus on challenges faced by readers in their encounters with (L1 and) L2 texts and with English texts in particular. Chapter 3 concludes with a practical discussion of the linguistic components of texts, suggesting that teachers in some contexts may wish to present direct lessons targeting these features. In all of these chapters, we aim to present a perspective on L2 reading instruction that is ? mly grounded in the precept that literacies are socially constructed. Based on the socioliterate premises outlined especially in Chapters 1 and 2, Chapter 4 addresses fundamental concerns related to the teaching of any L2 literacy course: needs assessment, syllabus design, materials selection, and lesson planning. Chapter 5 (intensive reading) and Chapter 6 (extensive reading) present detailed examinations of the two major curricular approaches to teaching L2 reading. The remaining chapters then focus on speci? c topics of persistent nterest to L2 literacy educa tors: the use of literature in L2 reading instruction (Chapter 7), vocabulary learning and teaching (Chapter 8), and approaches to reading assessment (Chapter 9). Although the organization of individual chapters varies according to topic, all contain the following components: Questions for Re? ection. These pre-reading questions invite readers to consider their prior experiences as students and readers and to anticipate how these insights might inform their professional beliefs and teaching practices; Further Reading and Resources.A concise list at the end of each chapter provides a quick overview of the print and online sources cited, as well as other outlets of relevant information; Figures and Tables. These textual illustrations provide sample authentic activities, lesson plans, sample texts, and so on, which teachers can use and adapt in their own instructional practice; Re? ection and Review. These follow-up questions ask readers to examine and evaluate the theoretical informat ion and practical suggestions introduced in the main text; Application Activities. Application Activities follow each Re? ction and Review section, presenting a range of hands-on practical exercises. Tasks include collecting data from novice readers, text analysis, evaluating real-world reading materials, developing lesson plans, designing classroom activities, and executing and evaluating classroom tasks and assessments. Several chapters also include Appendices that contain sample texts and instructional materials. As readers, writers, researchers, teachers, and teacher educators, we ? nd the ? eld of L2 literacy development (which entails both reading and writing) to offer many challenges and rewards.It was our classroom experience working with Preface xvii multilingual readers and with L2 teachers that initially ignited our interest in compiling a book that would help teachers develop both professional knowledge and con? dence as teachers of reading. We hope that this book will p rovide its readers with accurate information, meaningful insights, and practical ideas for classroom teaching. It is also our hope that Teaching Readers of English will convey our enthusiasm and passion for this rapidly evolving and engaging ? eld of intellectual inquiry and professional practice.John’s Acknowledgments Thanks are due to the Monterey Institute for my Fall semester 2007 sabbatical leave, which I dedicated to exploring the L2 reading literature anew and to writing early draft material. I owe special thanks to the M. A. students in my Spring 2008 ED 562 (Teaching Reading) course, who diligently read the draft version of the book, responded thoughtfully and substantially to the material, and reminded me how enjoyable it can be to look at teaching in novel ways. Their hard work, enthusiasm for reading, and passion for teaching were infectious and energizing.As always, I am also indebted to the Library staff at the Monterey Institute, who not only supply me continua lly with volumes of books and articles, but who also cheerfully grant me more special privileges than I deserve. Like Dana, I would like to credit an early source of inspiration for me, Professor Stephen Krashen, whose teaching and research drew me to literacy studies when I was a graduate student. Finally, I offer my profound thanks to Simon Hsu for his perpetual reassurance, moral support, and good cheer through the ups and downs of the writing process.Dana’s Acknowledgments I am grateful to my graduate students and former colleagues at California State University, Sacramento who have helped me to develop and pilot materials used in this book. In particular, I would like to thank the CSUS M. A. students in my Spring 2008 English 215A (ESL Reading/Vocabulary) course, who patiently worked with the draft version of this book, responded enthusiastically, and gave great suggestions. As always, I am thankful for the opportunity to have my thinking and practice informed and challe nged by these individuals.I am also grateful for the sabbatical leave I received from my former institution, CSUS, for the Spring 2007 semester, which allowed me extended time for this project. Working on this book has also made me again appreciative of the contributions of two of my graduate school professors—Stephen Krashen and the late David Eskey of the University of Southern California—not only to the ? eld of L2 reading research but also to the formation of my own knowledge base and philosophies on the subject. Both were excellent teachers and mentors, and I am indebted to them for their work, their example, and the ways they encouraged me as a student. viii Preface On a personal level, I would like to extend my love and gratitude to my husband, Randy Ferris, my daughters, Laura and Melissa Ferris, and my faithful yellow Labrador retriever, Winnie the Pooch, who was a great companion and thoughtful sounding board during my sabbatical! Joint Acknowledgments Our wo rk on this project would have been much less rewarding and enjoyable without the gentle guidance and persistent encouragement of our outstanding editor, Naomi Silverman. Her expertise and unfailingly insightful advice assisted us in innumerable ways as our ideas evolved and as the collaborative writing process unfolded.Despite her sometimes crushing workload, Naomi managed to help us out whenever we needed her input. We offer our profound thanks for her con? dence in us and for her many contributions to this book’s evolution. In addition, we deeply appreciate the incisive and exceptionally useful feedback on earlier versions provided by Barbara Birch, Alan Hirvela, and Vaidehi Ramanathan. Finally, we are grateful for the diligent work of Meeta Pendharkar and Alfred Symons at Routledge, and of Richard Willis, who saw the project through its ? nal stages of development.John Hedgcock Dana Ferris Credits Figure 1. 3 is derived and adapted from a drawing in Bernhardt (1991b), Read ing development in a second language: Theoretical, empirical, and classroom perspectives (p. 15), originally published by Ablex. Figure 1. 4 is adapted from Birch (2007), English L2 reading: Getting to the bottom (2nd ed. , p. 3). Figure 4. 4 is adapted from Ferris and Hedgcock (2005), Teaching ESL composition: Purpose, process, and practice (2nd ed. , p. 100). Figures 1. 4 and 4. 4 are used with permission from Taylor and Francis. Figure 1. originally appeared in Bernhardt (2005), â€Å"Progress and procrastination in second language reading† (Annual Review of Applied Linguistics, 25, pp. 133–150). Figure 8. 1 was adapted from a similar ? gure in Nation (2001), Learning vocabulary in another language. We thank Cambridge University Press for its policy concerning reproduction and adaptation of these resources. The â€Å"Second Chances—If Only We Could Start Again† selection by Brahm in Appendix 3. 1 originally appeared in the Sacramento Bee in 2001; the t ext appears here with permission. Sarton’s (1974) essay, â€Å"The Rewards of Living a Solitary Life† (Appendix 5. ), ? rst appeared in the New York Times, as did the Greenhouse (2003) essay, â€Å"Going for the look—but risking discrimination† (Appendix 5. 2); both selections are used with permission. Figure 9. 2 is based on and adapted from Urquhart and Weir (1998), Reading in a second language: Process, product, and practice (Addison Wesley Longman). xx Credits Figure 9. 11 is a slightly altered rubric from Groeber (2007), Designing and using rubrics for reading and language arts, K-6 (p. 23). This ? gure appears with permission from Corwin Press. Chapter 1 Fundamentals of L1 nd L2 Literacy Reading and Learning to Read Questions for Re? ection Do you have any recollection of learning to read at home or at school in your primary language or in a second/foreign language? If so, what were those processes like? How were they similar or different across lan guages? How is text-based communication similar to and distinct from speechbased communication? How is learning to read and write distinct from acquiring speech and listening skills? Why? What are some of the principal challenges that you associate with reading certain kinds of text?What are the main obstacles that novice readers face in learning to read? Why do you think it is important for novice ESL and EFL teachers to become acquainted with the principles and practices of reading instruction (in contrast to other skills, such as speaking, listening, writing, or grammar)? The high premium that many people place on literacy skills, including those necessary for performing well in school and in the workplace, emerges largely from the degree to which educated adults depend on text-based and digital resources for learning and communication.When educated people think about 2 Teaching Readers of English how and why literacy is important, few question the fundamental notion that reading is a crucial building block, if not the chief cornerstone, of success at school, at work, and in society (Feiler, 2007; Gee, 2008; McCarty, 2005). In primary education around the globe, one of the ? rst things children do at school is participate in literacy lessons and â€Å"learn to read. † Of course, â€Å"the developmental transformations that mark the way to reading expertise begin in infancy, not in school† (Wolf, 2007, p. 223).In many parts of the world, primary-level teachers receive specialized education and training in teaching children to read, sometimes in two or more languages. As children advance toward adolescence, they may undergo sustained literacy instruction designed to enhance their reading comprehension, ? uency, and ef? ciency. Formal â€Å"reading† courses taper off as children progress toward and beyond secondary school—except, perhaps, for foreign or second language instruction. Many language teachers assume that teaching and lea rning a foreign or second language (L2)1 depends on reading skills.In fact, they may devote considerable time and effort to promoting L2 reading skills among their students, often under the assumption that learners already have a developed system of literate knowledge and skill in their primary language(s) (L1s). In contrast, teachers in disciplines such as science and mathematics, social studies, and the arts may need to assume that their pupils or students already know â€Å"how to read. † Such educators may not provide much, if any, explicit instruction in the mechanics of processing texts.Similarly, many teachers of writing at both the secondary and tertiary levels often assume that students know â€Å"how to read† (or at least that students have been taught to read). Paradoxically, while formal education, professional activities, and use of the Web depend on reading ef? cacy, many educators ? nd themselves under-equipped to help their students develop their readin g skills when students need instructional intervention. In other words, we may not recognize the complexity of reading because, as pro? ient readers, we often take reading ability for granted, assuming that reading processes are automatic. It is easy to overlook the complexity of reading processes, as many of us do not have to think much about how we read. After all, you are able to read and understand the words on this page because you have somehow â€Å"learned to read† English and have successfully automatized your ability to decode alphabetic symbols and interpret meaning from text. Precisely how you achieved this level of skill, however, is still not fully understood (Smith, 2004; Wolf, 2007).Our experiences as students, language teachers, and teacher educators have led us to a profound appreciation of the complexity of the reading process and for the fact that, for many novice readers—whether working in L1 or L2—reading processes are far from automatic. We have also come to recognize the sometimes overwhelming challenges of teaching reading to language learners. Reading, learning to read, and teaching reading are neither easy nor effortless. In this chapter, we consider fundamental aspects of the reading process that make it a complex social and cognitive operation involving readers, writers, texts,Fundamentals of L1 and L2 Literacy 3 contexts, and purposes. We will introduce contemporary principles of literacy and literacy development to familiarize readers with de? nitions of key constructs in the interrelated ? elds of literacy studies, L1 and L2 reading research, and pedagogy. Our aim is to help readers develop a working knowledge of key issues, insights, and controversies in L2 literacy education by presenting an overview of key theories, models, and metaphors. Our chief focus is on the literacy development of multilingual learners in secondary and postsecondary educational settings. Naturally, we refer to research on L1 literac y development among children, which has richly informed agendas for L2 literacy research and instruction. In the ? rst part of this chapter, we consider contemporary views of literacy as a socio-psychological construct that frames reading development and processes among L1 and L2 learners. By comparing research and theory associated with prevailing processing metaphors, we explore instructional issues of particular relevance to the teaching of L2 reading. These issues include the niqueness of L2 reading processes, interactions between L1 and L2 literacy, and the importance of strategies-based instruction in promoting L2 literacy. The Nature of Literacy and Literacies Before examining the mechanics of reading, we must situate reading processes and instruction with respect to the sociocultural and educational contexts where reading skills are valued. As Urquhart and Weir (1998) noted, â€Å"the teacher of reading is in the business of attempting to improve literacy† (p. 1). Alt hough reading skill is central to any de? ition of literacy, L2 educators should understand that literacy entails not only cognitive abilities (Bernhardt, 1991a, 1991b), but also knowledge of sociocultural structures and ideologies (Cope & Kalantzis, 2000; Cummins, Brown, & Sayers, 2007; Gee, 1991, 2003; Goldenberg, Rueda, & August, 2006; Lewis, Enciso, & Moje, 2007; Perez, 2004b, 2004d; Robinson, McKenna, & Wedman, 2007). Literacy, after all, is â€Å"a part of the highest human impulse to think and rethink experience in place† (Brandt, 1990, p. 1).We can refer to reading and writing as literate processes, and we frequently use the term literacy as a countable noun when describing skills, knowledge, practices, and beliefs allied with speci? c disciplines and discourse communities (e. g. , academic literacy, workplace literacy, computer literacy, ? nancial literacy, and so forth). Across disciplines, wrote Barton (2007), â€Å"the term literacy has become a code word for mor e complex views of what is involved in reading and writing† (p. 5). A literate person can therefore become â€Å"competent and knowledgeable in specialized areas† (Barton, 2007, p. 9). Literacies are multiple, overlapping, and diverse: â€Å"People have different literacies which they make use of, associate with different domains of life. These differences are increased across different cultures or historical periods† (Barton, 2007, p. 37). Eagleton and Dobler (2007), for example, insisted that â€Å"current de? nitions of literacy must include digital texts such as those found on the Web† (p. 28). 4 Teaching Readers of English Contemporary conceptions of literacy do not characterize literacy merely as a cluster of isolated processing skills.Scribner and Cole (1981) framed literacy as a system of socially organized literacy practices. This view led to an â€Å"emerging theory of literacy-as-social-practice† (Reder & Davila, 2005, p. 172), now widely known as the New Literacy Studies (NLS) (Barton & Hamilton, 1998; Street, 1984, 1995). As a socioculturally organized system, literacy consists of much more than an individual’s ability to work with print-based media. Reading and writing may be the most visible or tangible processes in literacy development, but literacy practices go beyond reading and writing alone (Eagleton & Dobler, 2007; Kern, 2000; Purcell-Gates, 2007).Literacy practices refer to â€Å"common patterns in using reading and writing in a particular situation. People bring their cultural knowledge to an activity† (Barton, 2007, p. 36). In an NLS view, literacy is more than a skill or ability that people â€Å"acquire†Ã¢â‚¬â€it is something that people do in the course of everyday life. We can refer to what people do with their knowledge of literate practices as literacy events. Heath (1982) de? ned a literacy event as â€Å"any occasion in which a piece of writing is integral to the nature of the participants’ interactions and their interpretative processes† (p. 3). Barton’s (2007) synthesis of the complementary relationship between literacy practices and literacy events illustrates the inherently social nature of literacy: Together events and practices are the two basic units of analysis of the social activity of literacy. Literate events are the particular activities where literacy has a role; they may be regular repeated activities. Literacy practices are the general cultural ways of utilizing literacy which people draw upon in a literacy event. [I]n the example . . . f a man discussing the contents of the local paper with a friend, the two of them sitting in the living room planning a letter to the newspaper is a literacy event. In deciding who does what, where and when it is done, along with the associated ways of talking and the ways of writing, the two participants make use of their literacy practices. (p. 37) Literacy is further understood in terms of the individual’s relationship to literate communities and institutions (e. g. , fellow readers and writers, teachers, employers, school, online networks, and so on).Scholars such as Freire (1968), Gee (1988, 1996), and Street (1984) have proposed that literacy can privilege some people while excluding others, as societies and discourse communities use literacy to enforce social controls and maintain hierarchies. The NLS approach assumes (1) that context is fundamental to any understanding of literacy and its development (Barton, 2007; Barton & Tusting, 2005; Collins & Blot, 2003) and (2) that literate and oral practices overlap and interact (Finnegan, 1988; Goody, 1987; Olson & Torrance, 1991; Stubbs, 1980; Tarone & Bigelow, 2005).Because it is grounded in social context, NLS research offers implications for how we might view reading processes, reading development, and reading Fundamentals of L1 and L2 Literacy 5 pedagogy. As already suggested, one insight that depa rts from conventional notions is that literacy consists of much more than reading and writing (Czerniewska, 1992; Kern, 2000; Purcell-Gates, 2007; Purcell-Gates, Jacobson, & Degener, 2008; Smith, 2004, 2007). Literacy practices and literacy events are not limited to libraries and schools. Literacy development is a process that begins early in childhood, long before children attend school, and involves many different skills and experiences† (Lesaux, Koda, Siegel, & Shanahan, 2006a, p. 77). Although L2 reading teachers may be con? ned to the classroom in their encounters with learners, literacy education should not be limited to promoting school-based literacies alone (Freire & Macedo, 1987; Gee, 2000; Kalantzis & Cope, 2000). After all, literacy is â€Å"rooted in people’s intimate everyday experiences with text† (Reder & Davila, 2005, p. 173). These daily experiences can range from the most mundane (e. g. scribbling a grocery list, dashing off a quick e-mail mess age, checking MapQuest for driving directions) to those with high-stakes consequences (e. g. , composing a college admissions essay or crafting a letter of resignation). Classrooms, of course, are unquestionably key sites for cultivating school and non-school literacies (Perez, 2004a). Students must develop literate skills that will enable them to succeed in school, although some of these skills may never be part of the curriculum (Alvermann, Hinchman, Moore, Phelps, & Waff, 2006; Bloome, Carter, Christina, Otto, & Shuart-Faris, 2005; Gee, 1996, 2005; Kutz, 1997; Perez, 2004c).In other words, surviving and thriving in school require much more than developing literacy in the traditional sense: Learners must also develop new behaviors and attitudes while cultivating social alliances. Novice readers must learn â€Å"a set of complex role relationships, general cognitive techniques, ways of approaching problems, different genres of talk and interaction, and an intricate set of values c oncerned with communication, interaction, and society as a whole† (Wertsch, 1985, pp. 35–36).Literate practices and literacy events of all sorts involve interaction and social activity around written texts, which are the products of a kind of technology— writing itself (Bazerman, 2007; Grabe & Kaplan, 1996; Olson, 1994; Olson & Cole, 2006; Ong, 1982; Wolf, 2007). 3 As such, writing is a value-laden cultural form, â€Å"a social product whose shape and in? uence depend upon prior political and ideological factors† (Gee, 1996, p. 58). Because â€Å"the immediate social context determines the use and nature of texts† (Reder & Davila, 2005, p. 75), texts and their uses are inherently tied to power at some level: â€Å"[L]iteracy can be seen as doing the work of discourse and power/knowledge† (Morgan & Ramanathan, 2005, p. 151). In this view, literacy and literacy development are never neutral, as literate activity involves learners, teachers, and many others (Gee, 2002). Moreover, â€Å"all literacy events carry ideological meanings† (Reder & Davila, 2005, p. 178), although we may not be aware of these meanings in the learning or teaching process. Nonetheless, L2 literacy educators can bene? from cultivating a critical awareness of how â€Å"literacy practices provide the textual means by which dominant values and identities (e. g. , avid consumers, obedient workers, patriotic citizens) are normalized and, at times, resisted† (Morgan & Ramanathan, 2005, pp. 152–153). 4 6 Teaching Readers of English Such critical perspectives, informed by NLS research and theory, are valuable for reading teachers: They remind us that literacy practices and literacy events pervade culture and everyday life. Literacy emerges as a kind of knowledge and skill base, as well as a socialization process (John-Steiner & Meehan, 2000).Describing early literacy development, Smith (1988) argued that children become successful reader s â€Å"only if they are admitted into a community of written language users,† which he called the â€Å"literacy club† (p. 2). Before they can read or write a single word, children become members of a literacy club similar to the community of oral language users into which infants are inducted at birth. â€Å"The procedures are the same, and the bene? ts are the same—admission to the club rapidly results in becoming like established members in spoken language, in literacy, and in many other ways as well† (Smith, 1988, p. ). Unique conditions affect adolescents and adults acquiring L2 literacy, yet the principle that literacy is socially embedded unquestionably applies to developing literacy in an additional language. Kern (2000) de? ned L2 literacy as â€Å"the use of socially-, historically-, and culturally-situated practices of creating and interpreting meaning through texts† (p. 16). Being literate in another language requires a critical knowle dge of how textual conventions and contexts of use shape one another. And because literacy is purpose-sensitive, it is dynamic â€Å"across and within discourse communities and cultures.It draws on a wide range of cognitive abilities, on knowledge of written and spoken language, on knowledge of genres, and on cultural knowledge† (Kern, 2000, p. 16). These dynamic aspects of literacy must include digital literacy (sometimes called cyberliteracy or electronic literacy), which we associate with â€Å"technologymediated textual, communicative, and informational practices† (Ingraham, Levy, McKenna, & Roberts, 2007, p. 162). Literacy and reading in the 21st century must be characterized in terms of â€Å"an ecology that includes broad-based access to many different media† (Mackey, 2007, p. 13).These media include television and ? lm, as well as digital audio and video ? les that can be stored and retrieved at will on a computer or other device in a range of formats (E agleton & Dobler, 2007; Gee, 2003; Hawisher, 2004; Kapitzke & Bruce, 2006; Olson & Cole, 2006). Laptop computers, MP3 players, iPods, handheld devices, and mobile telephones make print and non-print sources available almost anywhere. The social milieu in much of the world is saturated with digital media. In fact, â€Å"very few Western young people come to print texts without a vast background of exposure to texts in many other media† (Mackey, 2007, p. 3). We must expect L1 and L2 students in many settings to know how to navigate websites and electronic texts, view artwork and photographs, listen to audio recordings, and watch live action, video, and animations, all with impressive facility (McKenna, Labbo, Kieffer, & Reinking, 2006; McKenna, Labbo, Reinking, & Zucker, 2008; Thorne & Black, 2007; Valmont, 2002). Moore (2001) estimated that more than 80% of the data available in the world is â€Å"born digital, not on paper, ? che, charts, ? lms, or maps† (p. 28). That proportion has unquestionably risen above 80%, and the availability of computers inFundamentals of L1 and L2 Literacy 7 school settings has also increased. Parsad and Jones (2005) reported that, as of 2003, nearly 100% of U. S. schools had Internet access, 93% of classrooms were wired, and the mean ratio of learners to wired computers was about 4. 4 to 1. Access to wired computers in schools with high minority enrollments and in economically disadvantaged neighborhoods unfortunately drops below these averages (DeBell & Chapman, 2003; Parsad & Jones, 2005; Wells & Lewis, 2005); only about 16% of the world’s population currently use the Internet (de Argaez, 2006).Nonetheless, as a consequence of increasingly widespread Internet access and the proliferation of laptop and desktop computers with CD-ROM and DVD capabilities, many of today’s students â€Å"can instantaneously access more information delivered in multiple formats than at any other time in the history of educa tion† (Valmont, 2002, p. 92). For this growing learner population, â€Å"literacy in a polysymbolic environment† includes expertise in decoding and encoding print-based media, as well as â€Å"interpreting and constructing in visual and other symbolic worlds† (Valmont, 2002, p. 2). More speci? cally, digital literacy entails not only producing written and oral messages, but also generating and interpreting sounds, images, graphics, videos, animations, and movements (Cummins et al. , 2007; Eagleton & Dobler, 2007). In the remainder of this chapter, we explore L1 and L2 reading and reading development from a sociocognitive perspective. We believe that L2 reading teachers can best serve their students by viewing the learning and teaching of reading as much more than skill-oriented practice (Lee & Smagorinsky, 2000; Meyer & Manning, 2007).We must engage students â€Å"in real literacy events,† which Kern (2000) explicitly distinguished from â€Å"just rehears ing reading and writing skills. † To develop L2 literacy, students must â€Å"learn not only about vocabulary and grammar but also about discourse and the processes by which it is created† (p. 17). To synthesize salient insights from research and theory in NLS and related ? elds, we propose the following global principles, which we can apply to our work as literacy educators: Literacy is a cognitive and a social activity, which we can describe in terms of literacy practices, which are played out during literacy events.Literacies are multiple and associated with different participants, purposes, social relations, settings, institutions, and â€Å"domains of life† that support literate knowledge (Barton, 2007, p. 37). Literacy events reference socially constructed symbol systems that facilitate communication, create meaning, and represent the world. These systems require users to understand, adopt, and even reshape conventions (genres, discourse structure, grammar, vocabulary, spelling). As symbolic systems that draw on writing and speech, literacies enable us to represent and cognize about ourselves, others, and our world (Kern, 2000). Teaching Readers of English Literacy requires problem-solving. Reading and writing â€Å"involve ? guring out relationships† among words, larger units of meaning, and â€Å"between texts and real or imagined worlds† (Kern, 2000, p. 17). Literacy entails knowledge of language and the ability to use it, as well as cultural understanding, belief systems, attitudes, ideals, and values that â€Å"guide our actions† in literate communities (Barton, 2007, p. 45). Literacy events shape us and our literacy practices as we engage in literacy events over our lifetimes. â€Å"Literacy has a history,† which de? es individuals as well as literate communities (Barton, 2007, p. 47). Literacy in the industrialized world â€Å"means gaining competent control of representational forms in a variety of media and learning how those forms best combine in a variety of genres and discourse† (Warschauer, 1999, p. 177). Working with Writing Systems As a de? ning function of literacy, reading is a chief focus of this chapter. Before reviewing models of L1 and L2 reading, we will consider factors that set reading apart from other skill areas. First, however, we would like to stress that language pro? iency and literacy should be viewed as interdependent. In outlining their model of how children develop language skills, language awareness, and literacy, Ravid and Tolchinsky (2002) asserted that â€Å"the reciprocal character of speech and writing in a literate community makes [language and literacy] a synergistic system where certain features (e. g. , basic syntax) originate in the spoken input† (p. 430). Meanwhile, features such as complex syntax and specialized vocabulary â€Å"originate in the written input. Together . . . they form a ‘virtual loop’ where spe ech and writing constantly feed and modify each other† (p. 30). Because written language—whether in print or hypertext form—exhibits properties that are distinct from speech (Biber, 1988, 1995; Wolf, 2007) and because texts may predetermine the range of meanings that they express, â€Å"spoken language and written language can rarely be the same† (Smith, 2004, p. 42). As a tool that â€Å"increases human control of communication and knowledge,† writing â€Å"uses a written symbol to represent a unit of language and not an object, event, or emotion directly† (Birch, 2007, p. 15). Writing practices and conventions are always deeply â€Å"socially contextualized,† nlike oral language, which entails a comparably â€Å"universal set of

5 Top Tips on Travel Writing

5 Top Tips on Travel Writing 5 Top Tips on Travel Writing Travel writing is one of the most popular types of non-fiction. And if you’re someone with a love of both literature and globetrotting, travel writing offers a fantastic opportunity to combine the two! Here, then, are a few top tips for budding travel writers to help get you started. 1. Read Other Travel Writing The best starting point if you’re new to travel writing is to read other authors. There are many types and styles of travel writing out there. So we suggest reading a little bit of everything, from blog posts to book-length travelogues, to find inspiration if you’re not already sure what to write. 2. Picking a Subject To stand out from the crowd, your travel writing needs to offer something unique. Part of this will be your written voice, but what you are writing about is equally important, so you’ll want to pick a great destination to focus on. Finding somewhere interesting that nobody has written about before is the dream, so you might want to look beyond the famous beaten track for strange or unusual attractions. Alternatively, if you are writing about a familiar place, look for an angle that nobody has used before. It helps if you do more than just lie on the beach, too. 3. Paint a Picture Your writing should conjure an image of the places you describe, so use sensory language wherever possible. If you can communicate some of the views, sounds and smells you’ve experienced, your reader will feel more like they’ve been there. Rich, descriptive writing is therefore crucial. Of course, a literal picture can help as well, so don’t forget to pack a camera! 4. Tell a Story Travel writing is about more than just facts. It’s about your experience of a place or journey. As such, you need to take your reader on a journey, too! One tip in this respect is remembering that the best travel writing is more than just descriptive. It may also have: Characters (e.g., people you meet along the way or travel companions) Themes (e.g., issues or events that recur throughout your journey) A plot (e.g., your goal, such as visiting every museum in Cumbria) Make sure not to miss the Derwent Pencil Museum, especially if you like big pencils.(Photo: Stinglehammer/wikimedia) Keep in mind that travel writing is creative writing, even if it is non-fiction. You may even want to twist the facts to tell a better story. Or go full Hunter S. Thompson and blur the lines between fact and fiction entirely. We wouldnt suggest taking as many drugs as he did, though. 5. The Benefits of Fact Checking Assuming you’re not fictionalizing your journey too much, you may want to do some fact checking on things you’ve learned when you get home. For instance, before repeating what that odd man in the plaza told you about Piacenza being founded by a champion chicken farmer as a luxury resort for poultry, get online and do some reading. You can still include the anecdote if it turns out to be untrue. You just don’t have to present it as a fact. And if you handle the fact checking, we’ll be happy to help with the proofreading once you have a first draft ready!

Free Essays on Comapring Lord Of The Rings To Old English Times

The classic story Lord of the Rings, written by John Ronald Reuel Tolkien, inspired many reader’s imagination while giving them a taste of not only fantasy but Old English history as well. As an Old English Professor, the author portrayed many elements drawn from this very first period of English Literature. As a result, an atmosphere of good and evil, typical of Old English, permeates throughout this work of fiction. In such a setting lived the Old English-like hobbits who spoke an Old English- inspired language and practiced Old English customs. The setting of Lord of the Rings has an Old English quality, typically one were good and evil is fought. In the novel, the setting changes many times, from â€Å"frightening underworlds to magical prairie like scenes†1 that symbolizes goodness. The book takes place in Middle Earth, which is described by Tolkien as a mysterious place full of acts of righteousness and wickedness. Example of a places where bad behaviors occurs are evidently the Mount of Doom, Rohan Forest, the Mines of Moria2 and the deep dark forest at night fall. Mist, Rain and gloomy are all characteristics of these murky atmosphere. On the other hand, Tolkien creates a peaceful environment. Examples of calm tranquil surroundings are found in the author’s description of the Forest of Lothorien, home of the elves and the hills of the Shire where the hobbits live and where an atmosphere described by Tolkien as â€Å"A primitive state of existence, untouched and uninfluenced by civilization or artifici ality†3: and â€Å"Partially dark, especially dismal and dreary†4 reigns. The nature of both places symbolizes goodness. These two settings of good and evil confront each other throughout the story, as seen more clearly through the personalities of the inhabitants. The hobbits live in the peaceful hills of the Shire. They are a breed of miniature people with â€Å"pointy ears whose height range is between two and four fee... Free Essays on Comapring Lord Of The Rings To Old English Times Free Essays on Comapring Lord Of The Rings To Old English Times The classic story Lord of the Rings, written by John Ronald Reuel Tolkien, inspired many reader’s imagination while giving them a taste of not only fantasy but Old English history as well. As an Old English Professor, the author portrayed many elements drawn from this very first period of English Literature. As a result, an atmosphere of good and evil, typical of Old English, permeates throughout this work of fiction. In such a setting lived the Old English-like hobbits who spoke an Old English- inspired language and practiced Old English customs. The setting of Lord of the Rings has an Old English quality, typically one were good and evil is fought. In the novel, the setting changes many times, from â€Å"frightening underworlds to magical prairie like scenes†1 that symbolizes goodness. The book takes place in Middle Earth, which is described by Tolkien as a mysterious place full of acts of righteousness and wickedness. Example of a places where bad behaviors occurs are evidently the Mount of Doom, Rohan Forest, the Mines of Moria2 and the deep dark forest at night fall. Mist, Rain and gloomy are all characteristics of these murky atmosphere. On the other hand, Tolkien creates a peaceful environment. Examples of calm tranquil surroundings are found in the author’s description of the Forest of Lothorien, home of the elves and the hills of the Shire where the hobbits live and where an atmosphere described by Tolkien as â€Å"A primitive state of existence, untouched and uninfluenced by civilization or artifici ality†3: and â€Å"Partially dark, especially dismal and dreary†4 reigns. The nature of both places symbolizes goodness. These two settings of good and evil confront each other throughout the story, as seen more clearly through the personalities of the inhabitants. The hobbits live in the peaceful hills of the Shire. They are a breed of miniature people with â€Å"pointy ears whose height range is between two and four fee...

Free Essays on Fra Angelico

Work of an Angelic Monk The Italian renaissance raced forward through history as the vanguard of artistic innovations, settling in Florence which became the great center of quattrocento (15th-century) art and art theory. As forerunners, early renaissance artists â€Å"made a radical break from the medieval methods of representing the visible world,† creating bold and new, more realistic depiction of space (Renaissance art and architecture). In a rebirth of a vital enthusiasm for classical antiquity, many artists began to reincorporate many ancient principles to their own work. At the same time artists became intensely preoccupied with problems of representing the dimensions of nature on flat surfaces, developing a mathematically based illusion of space-the system of perspective. In this era of unprecedented artistic achievements, Fra Anglico rose above and beyond combining â€Å"the influence of the elegantly decorative Gothic style† of the past â€Å"with the more realistic styles of such Renaissance (contemporaries) as the painter Masaccio and the sculptor Donatello† (Fra Angelico). Originally named Guido di Pietro, Angelico was born in Vicchio, Tuscany. He entered a Dominican convent in Fiesole in 1418 became a friar adopting the pseudonym Fra Angelico. He inherited the name of â€Å"Angelico (Italian for ‘angelic’)† because of his extraordinary personal piety and â€Å"because the paintings he did were of calm, religious subjects †¦ combining the life of a devout friar with that of an accomplished painter† (Fra Angelico). Angelico’s Coronation of the Virgin presents a perfect personification of both his artistic and religious natures and melding of new and old artistic ideology. Reviving the Romanesque style of â€Å"a unifying color scheme† within a fresco painting, Angelico attained â€Å"the achievement of color that unites all the techniques of form and perspective† (Angelico 444). It is through this implementatio... Free Essays on Fra Angelico Free Essays on Fra Angelico Work of an Angelic Monk The Italian renaissance raced forward through history as the vanguard of artistic innovations, settling in Florence which became the great center of quattrocento (15th-century) art and art theory. As forerunners, early renaissance artists â€Å"made a radical break from the medieval methods of representing the visible world,† creating bold and new, more realistic depiction of space (Renaissance art and architecture). In a rebirth of a vital enthusiasm for classical antiquity, many artists began to reincorporate many ancient principles to their own work. At the same time artists became intensely preoccupied with problems of representing the dimensions of nature on flat surfaces, developing a mathematically based illusion of space-the system of perspective. In this era of unprecedented artistic achievements, Fra Anglico rose above and beyond combining â€Å"the influence of the elegantly decorative Gothic style† of the past â€Å"with the more realistic styles of such Renaissance (contemporaries) as the painter Masaccio and the sculptor Donatello† (Fra Angelico). Originally named Guido di Pietro, Angelico was born in Vicchio, Tuscany. He entered a Dominican convent in Fiesole in 1418 became a friar adopting the pseudonym Fra Angelico. He inherited the name of â€Å"Angelico (Italian for ‘angelic’)† because of his extraordinary personal piety and â€Å"because the paintings he did were of calm, religious subjects †¦ combining the life of a devout friar with that of an accomplished painter† (Fra Angelico). Angelico’s Coronation of the Virgin presents a perfect personification of both his artistic and religious natures and melding of new and old artistic ideology. Reviving the Romanesque style of â€Å"a unifying color scheme† within a fresco painting, Angelico attained â€Å"the achievement of color that unites all the techniques of form and perspective† (Angelico 444). It is through this implementatio...

Guernica the Most Famous Painting by Pablo Picasso Essay

Guernica the Most Famous Painting by Pablo Picasso - Essay Example The essay "Guernica the Most Famous Painting by Pablo Picasso" explores the painting of Pablo Picasso. The name of the painting is "Guernica". This painting was done after the Basque bombing of 1937, during the well known Spanish war. The bombing shocked and angered young Pablo and he decided to do a painting of the experience. According to Hensley, Guernica is 3.5 by 7.8 meters big. It is also black, grey and white in color and is painted in oil. Pablo’s Guernica painting was commissioned by the Spanish Republican Government for display of the Spanish culture in 1937. This painting has played an important role in politics as its main aim was to change the way people thought and viewed power. It portrays the tragedies of war and the suffering of the affected people, especially the innocent victims. Pablo’s painting portrays broken people and animals showing anguishing pain. The painting has monumental status and it became a perpetual reminder about the war. It made the world know about the Spanish civil war. The Guernica painting has the following symbols; a bull, a horse, a young woman holding a light, a dead person, a woman overlooking at the window, a bird and a vertical person at the end. The symbols in the painting have different meanings. For example, the bull and the horse are important animals in the Spanish culture. The painting represents at least three major themes in Pablo’s Picasso life and his art. The crucifixion, the national ritual of bullfighting, and the mythological tradition of the Minotaur.

Waste Management return-on-investment Assignment

Waste Management return-on-investment - Assignment Example Grading awareness will help isolate education needs among staff members on waste segregation according to their level of health hazard. Secondly, reviewing of all materials and items of medical supplies the hospital utilizes. This helps in identifying most wasted items thereby regulating the overall usage per day to limit waste generation (Abd El-Salam, 2010). The hospital must have a standardized method of weighing hospital generated wastes this is useful in determining daily waste generation necessitating possible adjustments in areas that generate most wastes (Abd El-Salam, 2010).It must be routine to review procedures and regulations on dealing with hospital waste. Regular maintenance of hospital incinerators and sewage system greatly lower extra cost caused by malfunctioning of these systems. Thereafter, proper assessment of the numbers, emplacement, condition, colour coding and means of collection specified (Abd El-Salam, 2010). The next step is to map the area of disposal and monitor intermittent storage area as well as waste on transit. The hospital should have a definite area of waste

Assignment #4 Essay Example | Topics and Well Written Essays - 1750 words

Assignment #4 - Essay Example M butterfly’s criticisms range from arguments or debates over illustration of sexualities and ethnicity, orientalism politics, theatre and performance theories, and lastly the masquerade concept. As such, this essay will explore and analyze the production of M. Butterfly and how it represents Asia through the story, scenic design, costume design, movement, sound, and lights. Three synchronized actors perform a splendid kabuki style dance during the opening scene of the play m butterfly. Their enticing precise movements are elaborately done. Also, their Asian themed masks, makeup and robes are all evident. Just as Asians are stereotyped to be feminine, the actors have a delicate characteristic in their movements. The western nations have a long standing stereotype that depicts Asians as exhibiting a feminine personality unlike their western counterparts who are seen as being more masculine. Additionally, the play depicts the notion of the submissive Asian woman. M Butterfly presents a fictionalized story of a French diplomat who was in a relationship with an Asian, specifically Chinese singer for more than twenty years without actually knowing that his beautiful obedient and submissive lover was actually a male. Gallimard views himself as being clumsy when it comes to love. However, he considers himself to be blessed since he has a devoted beautiful and exotic woman (Liling Song). Hwang employs the term oriental in the play to refer to how the Asians are deemed to be exotic by the west. Unknown to him, Liling is a Chinese spy whose intent was to manipulate Gallimard by extracting information from him concerning the Vietnam War. Hwang in an interview quipped that he was basically interested in the different ways he would create and showcase total theatre. He insisted that he preferred theatre which uses different mediums at his disposal to create keep the audience glued to the play (Hwang et al, 1989). To do this, he incorporated

American history in 1800s Essay Example | Topics and Well Written Essays - 250 words

American history in 1800s - Essay Example That social reform movement includes education reforms, religious reforms, alcohol reforms, women reforms and literary reforms (Cobble, 2004). The person/event/ concepts discussed above are related to one another. Harriet was a person who was against slavery, newspaper was a strong platform to project the ideas of Harriet while social reforms educated the people of USA that all men and women are equal and there should be no discrimination on the basis of race, color, sex or religion. The triad is quite helpful in projecting the efforts which were taken in the past to bridge the gap among different ethnic groups living in the country like USA (Murphy, 2003). Fredrick Douglass was an American social reformer and a writer. He was against slavery and also escaped through it. He also served as a leader of abolitionist movement. He was well known for his antislavery writing (Harris, 2004). Jim Crow is a term which is used for the laws which were made after the congressional reconstruction. These laws were quite discriminatory for the Afro-American minority of the country. The law took away many rights which were granted to Afro-Americans during 13th, 14th and 15th century. Congressional reconstruction gave complete rights to the Afro-Americans. Their right to cast vote was also recognized in that reconstruction era (Chused, 1994). There is one thing in common all the three concepts which are discussed above. All three are associated with the major minority group of USA that is Afro-American. These events/concepts/persons reflect that Afro-American had fought hard for their rights through the history. The significance of triad is that reflect s the chronological sequence about the struggle of minorities in USA (Dougherty,

Death and Dying Essay Example | Topics and Well Written Essays - 250 words - 1

Death and Dying - Essay Example I have learned that the human soul actually does exist through readings, research, and acknowledgement of those who allegedly have experienced temporary demise and were eventually revived. When a person dies, that person allegedly enters a period of soul sleep, until the second coming of Christ, the day that was supposedly destined as a day of recollection, salvation, and eternal life. This refreshing discovery has not only changed my life, but has also helped me cope with the fears and any uncertainty of death. Through the experiences of loved ones, stories told of people who died, through readings, research, and studies conducted on the subject of death and the verge of dying, one’s awareness on the subject was immensely expounded. As a result, the previous fear, anxiety, confusion, and questions on the subject were diminished. One affirms that death is just a transition in man’s existence – a confirmation of the temporarily nature of the human body, whose functioning ultimately ends to a destiny where one is bound to

American history in 1800s Essay Example | Topics and Well Written Essays - 250 words

American history in 1800s - Essay Example That social reform movement includes education reforms, religious reforms, alcohol reforms, women reforms and literary reforms (Cobble, 2004). The person/event/ concepts discussed above are related to one another. Harriet was a person who was against slavery, newspaper was a strong platform to project the ideas of Harriet while social reforms educated the people of USA that all men and women are equal and there should be no discrimination on the basis of race, color, sex or religion. The triad is quite helpful in projecting the efforts which were taken in the past to bridge the gap among different ethnic groups living in the country like USA (Murphy, 2003). Fredrick Douglass was an American social reformer and a writer. He was against slavery and also escaped through it. He also served as a leader of abolitionist movement. He was well known for his antislavery writing (Harris, 2004). Jim Crow is a term which is used for the laws which were made after the congressional reconstruction. These laws were quite discriminatory for the Afro-American minority of the country. The law took away many rights which were granted to Afro-Americans during 13th, 14th and 15th century. Congressional reconstruction gave complete rights to the Afro-Americans. Their right to cast vote was also recognized in that reconstruction era (Chused, 1994). There is one thing in common all the three concepts which are discussed above. All three are associated with the major minority group of USA that is Afro-American. These events/concepts/persons reflect that Afro-American had fought hard for their rights through the history. The significance of triad is that reflect s the chronological sequence about the struggle of minorities in USA (Dougherty,

Exam questions Essay Example | Topics and Well Written Essays - 500 words - 2

Exam questions - Essay Example Further, a portfolio company having high risk may financially endanger the financial output of a company having miniscule risk. Portfolio analysis should include the influence of risk on the company’s returns (Livermore, 1998, p. 584). CAPM is used to determine the relationship between risk and portfolio returns. In terms of question 1b, the Capital Asset Pricing Model (CAPM) is used to determine the effect of the risks on the returns. The CAPM model includes the risk free rate of return portion of the asset return. The CAPM is used to determine the expected capital asset return. The CAPM analysis includes a risk-free rate. The CAPM includes a risk premium and a market premium (Semmler, 2011, p. 106). The portfolio CAPM formula is shown in the following diagram: E(Rp) = P1R1 + P2R2†¦+ PnRn Further, the formula is used to whether the average return on a portfolio of stocks is positively related portfolio’s beta data. The limitations include a wrong proxy is chosen. Another limitation is that the financial economists had not discovered a fool-proof they that explains why investors demand premiums for investing in low price/earnings for converting such concepts into risk premium estimations (OByrne, 2001, p. 180). In terms of question 2a, there are several motives for taking over another company. First, the â€Å"economies of scale† theory dictates that come entities or corporations takeover other companies in order to increase revenues. The total revenue of two companies will normally be higher than the revenue generated by all companies, given that the total sales of each company or equity is similar, under the synergy principle. Second, some companies takeover other companies in order to acquire the other comp any’s current and prospective customer database. Third, takeovers allow the new owner to acquire the expertise of the acquired company (Nuchtern,

Australian Rules Notes Essay Example for Free

Australian Rules Notes Essay Australian rules is set in a small rural town, where the relationships between the white townspeople and the Aboriginal people on the mission are complex, conflicted and marred by deeply entrenched racism. The local football team in many ways serves to represent the town, it reflects the conflicted relationship between the white people and the Aboriginal people- we begin to understand this as the film unfolds. Other themes inherent in the film are themes of family, love, loyalty and violence- the secrecy of domestic violence and the more overt forms of racial violence that spill out onto the public spheres of the football field and the pub. The opening narration informs us that half the football team is Aboriginal and that there would not be a football team without the Aboriginal players, therefore we understand how the town team relies on the talent and number of the Aboriginal players. We then witness the contradiction of the white and Aboriginal boys playing side by side as team members followed by the social segregation between the members after the match. This segregation is highlighted by Blacky (a white boy from town) and Dumby (an Aboriginal boy who is the best player on the team) whose friendship transcends these borders and we also witness ways that certain adults culturally impose this segregation between the white teenager and Aboriginal teenagers. In one of the beginning scenes, just after a football match, Dumby and Blacky want to ‘hang out’ together, but an older friend takes Dumby back to the mission and Blacky cannot follow. Blacky, Clarence and Dumby all call out to each other ‘Nukki n ya’ and this use of Aboriginal language between two Aboriginal teenagers and Blacky the white boy signifies the level of their friendship.